Литмир - Электронная Библиотека
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Landry, Robert J. This Fascinating Radio Business. Indianapolis: Bobbs-Merrill, 1946.

Lange, Jeffrey J. Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939–1954. Athens: University of Georgia Press, 2004.

Lawrence, Tim. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Durham, NC: Duke University Press, 2003.

Lees, Gene. Singers and the Song. New York: Oxford University Press, 1987.

Leiter, Robert D. The Musicians and Petrillo. New York: Octagon Books, 1974.

Leonard, Neil. Jazz and the White Americans: The Acceptance of a New Art Form. London: Jazz Book Club, 1964.

Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.

Levinson, Peter J. September in the Rain: The Life of Nelson Riddle. New York: Billboard Books, 2001.

Levinson, Peter J. Tommy Dorsey: Livin' in a Great Big Way. New York: Da Capo Press, 2005.

Trumpet Blues: The Life of Harry James. New York: Oxford University Press, 1999.

Lewisohn, Mark. The Complete Beatles Chronicle. New York: Harmony Books, 1992.

Lombardo, Guy. Auld Acquaintance. With Jack Altshul. Garden City, NY: Doubleday, 1975.

Love, Preston. A Thousand Honey Creeks Later: My Life in Music from Basie To Motown — and Beyond. Hanover, NH: Wesleyan University Press, 1997.

Lucchese, John A. Joey Dee and the Story of the Twist. New York: McFadden Books, 1962.

Lytle, H. W., and John Dillon, From Dance Hall to White Slavery: The World's Greatest Tragedy. N.p.: Charles C. Thompson, 1912.

Magee, Jeffrey. The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz. New York: Oxford University Press, 2005.

Malone, Bill C. Country Music U.S.A. Austin: University of Texas Press, 1975.

Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music. Athens: University of Georgia Press, 1993.

Mancini, Henry. Did They Mention the Music? With Gene Lees. Chicago: Contemporary Books, 1989.

Marcus, Greil, ed. Rock and Roll Will Stand. Boston: Beacon Press, 1969.

Marks, Edward B. They All Sang: From Tony Pastor to Rudy Vallee. As told to Abbott J. Liebling. New York: Viking Press, 1934.

Marks, J. Rock and Other Four-Letter Words. New York: Bantam Books, 1968.

Martin, George. All You Need Is Ears. With Jeremy Hornsby. New York: St. Martin's Press, 1979.

With a Little Help from My Friends: The Making of Sgt. Pepper. With William Pearson. Boston: Little, Brown, 1994.

McCarthy, Albert. The Dance Band Era. London: Spring Books, 1971.

McKee, Margaret, and Fred Chisenhall. Beale Black and Blue: Life and Music on Black America's Main Street. Baton Rouge: Louisiana State University Press, 1981.

Melly, George. Revolt into Style: The Pop Arts in Britain. Harmondsworth, England: Penguin Books, 1972.

Meltzer, David, ed. Writing Jazz. San Francisco: Mercury House, 1999.

Meryman, Richard. Louis Armstrong: A Self-Portrait. New York: Eakins Press, 1971.

Merz, Charles. Bigger and Better Murders: The Great American Bandwagon. London: Victor Gollancz Ltd., 1928. Miller, Jim, ed. The Rolling Stone Illustrated History of Rock & Roll. New York: Rolling Stone Press; Random House, 1976.

Miller, Mark. Some Hustling This! Taking Jazz to the World 1914–1929. Toronto: Mercury Press, 2005.

Morgan, Al. The Great Man. New York: Dutton, 1955.

Mouvet, Maurice. Maurice's Art of Dancing. New York: Schirmer, 1915.

Nanry, Charles, ed. American Music: From Storyville to Woodstock. New Brunswick, NJ: Transaction Books, 1972. Needham, Maureen, ed. I See America Dancing: Selected Readings, 1685–2000. Urbana: University of Illinois Press, 2002. Nicholson, Stuart. Reminiscing in Tempo: A Portrait of Duke Ellington. Boston: Northeastern University Press, 1999.

Olsen, Eric, Paul Verna, and Carlo Wolff. The Encyclopedia of Record Producers. New York: Billboard Books, 1999. O'Meally, Robert G., ed. The Jazz Cadence of American Culture. New York: Columbia University Press, 1998.

Osgood, Henry O. So This Is Jazz. Boston: Little, Brown, 1926.

Page, Drew. Drew's Blues: A Sideman's Life with the Big Bands. Baton Rouge: Louisiana State University Press, 1980.

Panassie, Hughes. La Bataille du Jazz. N.p.: Albin Michel, 1965.

Th e Real Jazz. New York: Smith & Durrell, Inc., 1943.

Peiss, Kathy. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple University Press, 1986.

Peress, Maurice. Dvořak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots. New York: Oxford University Press, 2004.

Pleasants, Henry. The Agony of Modern Music. New York: Simon and Schuster, 1955.

Pollack, Howard. George Gershwin: His Life and Work. Berkeley: University of California Press, 2006.

Pollock, Bruce. In Their Own Words. New York: Macmillan, 1975.

When Rock Was Young. New York: Holt, Rinehart and Winston, 1981.

Pruter, Robert. Chicago Soul. Urbana: University of Illinois Press, 1991.

Pugh, Ronnie. Ernest Tubb: The Texas Troubadour. Durham, NC: Duke University Press, 1996. Pyron, Darden Asbury. Liberace: An American Boy. Chicago: University of Chicago Press, 2000. Ramsey, Frederic, Jr. and Charles Edward Smith. Jazzmen. New York: Harcourt, Brace, 1939. Rayno, Don. Paul Whiteman: Pioneer in American Music. Vol. 1, 1890–1930. Lanham, MD: Scarecrow Press, 2003.

Ritz, David. Divided Soul: The Life of Marvin Gaye. Cambridge, MA: Da Capo Press, 1991.

Robinson, Chris. “Seeing Through a Blindfold: Gender, Race and Jazz in Leonard Feather's Blindfold Tests”. Master's thesis, University of Idaho, 2006.

Robinson, Danielle Anne. “Race in Motion: Reconstructing the Practice, Profession, and Politics of Social Dancing, New York City 1900–1930”. PhD diss., University of California Riverside, 2004.

Rose, Al. Eubie Blake. New York: Schirmer, 1979.

Rosen, Charles. Critical Entertainments: Music Old and New. Cambridge, MA: Harvard University Press, 2000. Rust, Brian. The American Dance Band Discography, 1917–1942. New Rochelle, NY: Arlington House, 1975.

Jazz Records, 1897–1942. Chigwell, Essex: Storyville Publications, 1969.

Sachs, Curt. World History of the Dance. New York: Norton, 1937.

Sanjek, Russell. American Popular Music and Its Business. Vols. 2 and 3. New York: Oxford University Press, 1988.

Sann, Paul. The Lawless Decade. New York: Crown, 1957.

Sargeant, Winthrop. Jazz: Hot and Hybrid. Rev. ed. New York: Dutton, 1946.

Schoemer, Karen. Great Pretenders: My Strange Love Affair with '50s Pop Music. New York: Free Press, 2006.

Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.

Th e Swing Era. New York: Oxford University Press, 1989.

Segrave, Kerry. Jukeboxes: An American Social History. Jefferson, NC: McFarland, 2002.

Seldes, Gilbert, The Seven Lively Arts. New York: Harper & Brothers, 1924.

Selvin, Joel. Ricky Nelson: Idol for a Generation. Chicago: Contemporary Books, 1990.

Shapiro, Nat, and Nat Hentoff, eds. Hear Me Talkin' to Ya: The Story of Jazz as Told by the Men Who Made It. New York: Dover, 1966.

Shaw, Arnold. Belafonte: An Unauthorized Biography. Philadelphia: Chilton, 1960.

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