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Guillaume Apollinaire, Selected Writings, trans. Roger Shattuck (New York: New Directions, 1972).

Louis Aragon, Nightwalker (Le paysan de Paris), trans. Frederick Brown (Englewood Cliffs, NJ: Prentice-Hall, 1970).

–, Une vague de rêves (Paris: Seghers, 1990).

Hannah Arendt, Men in Dark Times (New York: Harcourt, 1968).

Hannah Arendt, Martin Heidegger, Briefe, 1925–1975 (Frankfurt: Klostermann, 1998).

Hugo Ball, Die Flucht aus der Zeit (Lucerne: Josef Stocker Verlag, 1946).

Georges Bataille et al., The College of Sociology, 1937–1939, ed. Denis Hollier, trans. Betsy Wing (Minneapolis: University of Minnesota Press, 1988).

Charles Baudelaire, Intimate Journals, trans. Christopher Isherwood, with an introduction by T. S. Eliot (1930; rpt. Westport, CT: Hyperion, 1978).

–, Les fleurs du mal, trans. Richard Howard (Boston: David Godine, 1983).

–, Oeuvres complètes, ed. Marcel A. Ruff (Paris: Seuil, 1968).

–, Selected Writings on Art and Literature, trans. P. E. Charvet (London: Penguin, 1972).

Henri Bergson, Creative Evolution, trans. Arthur Mitchell (Mineola, NY: Dover, 1998).

–, Matter and Memory, trans. N. M. Paul and W. S. Palmer (New York: Zone, 1991).

Carina Birman, The Narrow Foothold (London: Hearing Eye, 2006).

Ernst Bloch, Heritage of Our Times, trans. Neville Plaice and Stephen Plaice (Berkeley: University of California Press, 1990).

–, “Italien und die Porosität”, in Werkausgabe, vol. 9, Literarische Aufsätze (Frankfurt: Suhrkamp Verlag, 1965).

–, The Spirit of Utopia, trans. Anthony Nassar (Stanford, CA: Stanford University Press, 2000).

Bertolt Brecht, Arbeitsjournal (Frankfurt: Suhrkamp Verlag, 1973).

–, Brecht on Theatre, ed. and trans. John Willett (New York: Hill and Wang, 1964).

–, Poems 1913–1956, ed. John Willett and Ralph Manheim (New York: Methuen, 1979).

André Breton, “Manifesto of Surrealism”, in Manifestoes of Surrealism, trans. Richard Seaver and Helen R. Lane (Ann Arbor: University of Michigan Press, 1969). – , Nadja, trans. Richard Howard (New York: Grove, 1960).

Max Brod, Franz Kafka: A Biography, trans. G. Humphreys Roberts and Richard Winston (New York: Schocken Books, 1963).

Martin Buber, On Judaism, ed. Nahum Glatzer (New York: Schocken Books, 1967). Hermann Cohen, Kants Theorie der Erfahrung (Berlin: Bruno Cassirer, 1918).

–, Religion of Reason: Out of the Sources of Judaism, trans. S. Kaplan (New York: Frederick Ungar, 1995).

Johann Gottlieb Fichte, The Science of Knowledge, trans. Peter Heath and John Lachs (1970; rpt. Cambridge: Cambridge University Press, 1982).

Lisa Fittko, “The Story of Old Benjamin”, in Walter Benjamin, The Arcades Project, trans. Howard Eiland and Kevin McLaughlin (Cambridge, MA: Harvard University Press, 1999).

Stefan George, Gesamt-Ausgabe der Werke, 15 vols. (Berlin: Georg Bondi, 1927–1934). André Gide, Pretexts: Reflections on Literature and Morality, trans. Justin O’Brien (New York: Meridian, 1959).

Johann Wolfgang von Goethe, Conversations with Eckermann, 1823–1832, trans. John Oxenford (San Francisco: North Point Press, 1984).

–, Elective Afinities, trans. R. J. Hollingdale (London: Penguin Classics, 1978). Moritz Goldstein, “Deutsch-Jüdischer Parnaß”, in Der Kunstwart 25, vol. 11 (03.1912). Friedrich Gundolf, Goethe (Berlin: Georg Bondi, 1916).

Eric Gutkind, The Body of God: First Steps toward an Anti-Theology, ed. Lucie B. Gutkind and Henry Le Roy Finch (New York: Horizon Press, 1969).

Willy Haas, Gestalten der Zeit (Berlin: Kiepenhauer, 1930).

Adolf von Harnack, Lehrbuch der Dogmengeschichte, 3 vols. (Freiburg: J. C. B. Mohr, 1888–1890).

Martin Heidegger, Being and Time, trans. John Macquarrie and Edward Robinson (New York: Harper and Row, 1962).

–, Poetry, Language, Thought, trans. Albert Hofstadter (New York: Harper, 1971). Franz Hessel, “Die schwierige Kunst spazieren zu gehen”, in Ermunterung zu Genuß, Sämtliche Werke, vol. 2 (Hamburg: Igel Verlag, 1999).

Friedrich Hölderlin, Essays and Letters on Theory, trans. Thomas Pfau (Albany: State University of New York Press, 1988).

–, Selected Poems, trans. Christopher Middleton (Chicago: University of Chicago Press, 1972).

Max Horkheimer, Briefwechsel, 1927–1969 (Frankfurt: Suhrkamp Verlag, 2005).

–, Critical Theory: Selected Essays, trans. Matthew J. O’Connell et al. (New York: Continuum, 1995).

Alexander von Humboldt, Schriften zur Sprache, Michael Böhler, “Nachwort” (Stuttgart: Reclam, 1973).

Franz Kafka, The Blue Octavo Notebooks, trans. Ernst Kaiser and Eithne Wilkins (1954; rpt. Cambridge: Exact Change, 1991).

–, The Castle, trans. Mark Harman (New York: Schocken Books, 1998). – , Complete Stories, various translators (New York: Schocken Books, 1995). Immanuel Kant, Critique of Pure Reason, trans. Norman Kemp Smith (1929; rpt. New York: St. Martin’s Press, 1965).

Ludwig Klages, Sämtliche Werke, vol. 3 (Bonn: Bouvier, 1974).

Karl Korsch, Marxism and Philosophy (New York: Monthly Review Press, 1970). Siegfried Kracauer, Schriften, 9 vols., ed. Inka Mülder-Bach et al. (Berlin: Suhrkamp Verlag, 2011).

–, “Travel and Dance”, “Lad and Bull”, “Photography”, “Those Who Wait”, and “On the Writings of Walter Benjamin”, in The Mass Ornament, trans. Thomas Y. Levin (Cambridge, MA: Harvard University Press, 1995).

–, Werke in neun Bänden, vol. 7, Romane und Erzählungen, ed. Inka Mülder-Bach (Frankfurt: Suhrkamp, 2004).

Werner Kraft, Spiegelung der Jugend (Frankfurt: Fischer, 1996).

Asja Lacis, Revolutionär im Beruf: Berichte über proletarisches Theater, über Meyerhold, Brecht, Benjamin und Piscator (München: Rogner & Bernhard, 1971).

Georg Lukács, History and Class Consciousness: Studies in Marxist Dialectics, trans. Rodney Livingstone (Cambridge, MA: MIT Press, 1971).

–, “On Walter Benjamin”, New Left Review 110 (July – August 1978).

–, The Theory of the Novel, trans. Anna Bostock (Cambridge, MA: MIT Press, 1974).

André Malraux, Man’s Fate, trans. Haakon M. Chevalier (New York: Random House, 1969).

Thomas Mann, “Die Entstehung des Doktor Faustus” (1949), in Doktor Faustus (Frankfurt: S. Fischer, 1967).

Detlef Mertins and Michael W. Jennings, eds., G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923–1926 (Los Angeles: Getty Research Institute, 2010).

László Moholy-Nagy, Painting – Photography – Film (Cambridge, MA: MIT Press, 1969).

–, “Production/Reproduction”, in Photography in the Modern Era: Europe an Documents and Critical Writings, ed. Christopher Phillips (New York: Metropolitan Museum of Art, 1989).

Novalis (Friedrich von Hardenberg), Werke in Einem Band (Berlin: Aufbau, 1983). Marcel Proust, On Art and Literature, trans. Sylvia Townsend Warner (1957; rpt. New York: Carroll and Graf, 1984).

Florens Christian Rang, Deutsche Bauhütte: Ein Wort an uns Deutsche über mögliche Gerechtigkeit gegen Belgien und Frankreich und zur Philosophie der Politik (Leipzig: E. Arnold, 1924).

–, Historische Psychologie des Karnevals [1927–1928] (Berlin: Brinkmann und Bose, 1983).

Gustav Regler, The Owl of Minerva, trans. Norman Denny (New York: Farrar, Straus and Cudahy, 1959).

Bernhard Reich, Im Wettlauf mit der Zeit (Berlin: Henschel Verlag, 1970).

Alois Riegl, Late Roman Art Industry, trans. Rolf Winkes (Rome: Giorgio Bretschneider, 1985).

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