Bush D. Prefaces to Renaissance literature. — Cambridge (Mass.), 1966.
Caspari F. Humanism and the social order in Tudor England. — Chicago, 1954.
Church R. The growth of the English novel. — London, 1951.
Clark E. G. Ralegh and Marlowe: A study in Elizabethan fiction. — New York, 1965.
Cole H. C. A quest of inquirie: Some contexts of Tudor literature. — Indianopolis; New York, 1973.
Craig H. The literature of the English Renaissance. — London, 1962.
Crane W. G. Wit and rhetoric in the Renaissance. — London, 1937.
Cross W. L. The development of the English novel. — New York, 1899.
Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.
Dunn E. C. The literature of Shakespeare’s England. — New York, 1936.
Edwards P. Sir Walter Ralegh. — London, 1953.
Elizabethan and Jacobean studies / Present to F. P. Wilson in honour of his 70th birthday. — Oxford, 1959.
English poetry and prose, 1540–1674 / Ed. by C. Ricks. — London, 1970.
Fraser R. A. The war against poetry. — Princeton (N. J.), 1970.
Greenblatt S. J. Sir Walter Ralegh: The Renaissance man and his roles. — New Haven, 1973.
Greg W. W. Collected papers / Ed. by J. C. Maxwell. — Oxford, 1966.
Hall V. Renaissance literary criticism: A study of the social content. — London, 1959.
Hazlitt W. Lectures on the literature of the age of Elizabeth and characters of Shakespeare’s plays. — London, 1884.
Houppert J. W. John Lyly. — New York, 1975.
Jeffery V. M. John Lyly and the Italian Renaissance. — New York, 1969.
Kernan A. The cankered muse: Satire in the English Renaissance. — New Haven, 1959.
Krapp G. P. The rise of English literary prose. — London, 1915.
Lecocq L. La satire en Angleterre de 1588 à 1603. — Paris, 1969.
Lefranc P. Sir Walter Ralegh écrivain: L’oeuvre et les idées. — Paris, 1968.
Mayer R. The concept of love in Sidney and Spencer. — Salzburg, 1978.
Morris H. Elizabethan literature. — London, 1958.
Nelson W. Fact or fiction: The dilemma of the Renaissance storyteller. — Cambridge, 1973.
O’Hara J. E. The rhetoric of love in Lyly’s «Euphues» and his England and Sydney’s «Arcadia». — Salzburg, 1978.
Powers D. C. English formal satire: Elizabethan to Augustan. — The Hague; Paris, 1971.
Ribner I. The English history play in the age of Shakespeare. — Princeton, 1957.
Rees J. Samuel Daniel. A critical and biographical study. — Liverpool, 1964.
Rossi S. Ricerche sull’umanesimo e sul Rinascimento in Inghilterra. — Milano, 1969.
Rowse A. L. The English Renaissance: The cultural achievement. — New York, 1972.
Saintsbury G. A history of Elizabethan literature. — London, 1896.
Schrickx W. Shakespeare’s early contemporaries. — Antwerpen, 1956.
Seronsy C. Samuel Daniel. — New York, 1967.
Shakespeare’s England. An account of the life and manners of his life: 2 vol. — Oxford, 1926.
Studies in English Renaissance literature / Ed. by W. J. McNeir. — Baton Rouge, 1962.
Tillyard E. M. The English epic and its background. — London, 1954.
Van Dorsten J. A. The radical arts: First decade of an English Renaissance. — London, 1970.
Waller G. F. The strong necessity of time: The philosophy of time in Shakespeare and Elizabethan literature. — The Hague; Paris, 1976.
Warren F. M. A history of the novel previous to the seventeenth century. — New York, 1895.
Welsford E. The fool, his social and literary history. — London, 1935.
Wilson K. G. Shakespeare’s contemporaries. — Englewood Cliffs, 1960.
Томас Мор
Алексеев М. П. Славянские источники «Утопии» Томаса Мора. — В кн.: Алексеев М. П. Из истории английской литературы. М.; Л., 1960, с. 40—135.
Осиновский И. Н. Томас Мор. — М., 1974.
Осиновский И. Н. Томас Мор: утопический коммунизм, гуманизм, Реформация. — М., 1978.
Тарле Е. В. Общественные воззрения Томаса Мора в связи с экономическим состоянием Англии его времени. — Соч. М., 1957, т. 1, с. 119–265.
Томас Мор, 1478–1978: Коммунистические идеалы и история культуры / Отв. ред. В. И. Рутенбург. — М., 1981.
Chambers R. W. Thomas More. — London, 1942.
Hogrefe P. The Sir Thomas More circle: A program of ideas and their impact on secular drama. — Urbana, 1959.
Johnson R. S. More’s Utopia: ideal and illusion. — New Haven; London, 1969.
Willow M. E. An analysis of the English poems of St. Thomas More. — Nieuwkoop, 1974.
Поэзия
Addleshaw P. Sir Philip Sidney. — London, 1909.
Allen D. C. Image and meaning: Metaphoric traditions in Renaissance poetry. — Baltimore, 1960.
Alpers P. J. The poetry of the Faerie Queene. — Princeton, 1967.
Bacquet P. Un contemporain d’Elizabett I: Thomas Sackville. L’homme et l’oeuvre. — Genève, 1966.
Bennett J. W. The evolution of the Faerie Queene. — Chicago, 1942.
Berdan J. M. Early Tudor poetry, 1485–1547. — London, 1920.
Boas Fr. S. Sir Philip Sidney, representative Elizabethan: His life and writings. — London, 1955.
Braden G. The classics and English Renaissance poetry: Three case studies. — New Haven; London, 1978.
Bradner L. Edmund Spencer and the «Faerie Queene». — Chicago, 1948.
Chang H. C. Allegory and courtesy in Spencer. — Edinburgh, 1955.
Clemen W. Originalität und Tradition in der englischen Dichtungsgeschichte. — München, 1978.
Cullen P. Spenser, Marvell and Renaissance pastoral. — Cambridge (Mass.), 1970.
Danby J. F. Poets on Fortune’s Hill: Studies in Sidney, Shakespeare, Beaumont and Fletcher. — London, 1952.
Elizabethan poetry. — London, 1960.
Galm J. A. Sidney’s Arcadian poems. — Salzburg, 1973.
Genony H. L’Arcadia de Sidney dans ses rapports avec l’Arcadia de Sannazaro et la Diana de Montemayor. — Paris, 1928.
Grundy J. The Spenserian poets: A study of Elizabethan and Jacobean poetry. — London, 1969.
Howell R. Sir Philip Sidney: The shepherd knight. — London, 1968.
Johnson R. C. George Gascoigne. — New York, 1972.
Kalstone D. M. Sidney’s poetry: Contexts and interpretations. — Cambridge, 1965.
Kimbrough R. Sir Philip Sidney. — New York, 1971.
Lawry J. S. Sidney’s two Arcadias: Pattern and proceeding. — Ithaca, 1972.
Lever J. W. The Elizabethan love sonnet. — 2nd ed. — London, 1966.
Partridge A. C. The language of Renaissance poetry: Spenser, Shakespeare, Donne, Milton. — London, 1971.
Peterson D. L. The English lyric from Wyatt to Donne: A history of the plain and eloquent styles. — Princeton (N. J.), 1967.
Phillips J. E., Allen D. C. Neo-Latin poetry on the sixteenth and seventeenth centuries. — Los Angeles, 1965.
Seiden R. English verse satire, 1500–1765. — London, 1978.
Weiner A. D. Sir Philip Sidney and the poetics of Protestantism: A study of contexs. — Minneapolis, 1978.
Проза
Стороженко Н. Роберт Грин, его жизнь и произведения. — М., 1878.
Child C. G. John Lyly and euphuism. — Leipzig, 1894.
Crane W. G. Wit and rhetoric in the Renaissance: The formal basis of Elizabethan prose style. — New York, 1937.
Davis W. R. Idea and act in Elizabethan fiction. — Princeton, 1969.
Dent R. John Webster’s borrowing. — Berkeley, 1960.
Elizabethan fiction / Ed. by R. Ashley, E. M. Moseley. — San Francisco, 1953.
Feuillerat A. John Lyly: Contribution à l’histoire de la Renaissance en Angleterre. — Cambridge, 1910.
Garke E. The use of songs in Elizabethan prose fiction. — Bern, 1972.
Harman E. G. Gabriel Harvey and Thomas Nashe. — London, 1923.
Helgerson R. The Elizabethan prodigals. — Berkeley, 1976.
Hibbard G. R. Thomas Nashe: A critical introduction. — London, 1962.
Hornát J. Anglická renesančni prósa: Eufuistická beletrie od Pettieho Peláce Potĕchy do Greenova Pandosta / Renaissance prose in England: Euphuistic fiction from Pettie’s «Palace of pleasure» to Greene’s «Pandosto». — Prague, 1970.