My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.
My eyes, wide open, had the run
10 Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flowered, three cups in one.
From perfect grief there need not be
Wisdom or even memory:
One thing then learnt remains to me, —
The woodspurge has a cup of three.
Sonnets from “The House of Life”
Sonnet
A Sonnet is a moment’s monument,—
Memorial from the soul’s eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own intricate fulness reverent:
Carve it in ivory or in ebony,
As Day or Night prevail; and let Time see
It’s flowering crest impearled and orient.
A Sonnet is a coin: its face reveals
The soul, — its converse, to what Power ‘tis due —
Whether for tribute to the august appeals
Of Life, or dower in Love’s high retinue,
It serve; or, ‘mid the dark wharf’s cavernous breath,
In Charon’s palm it pay the toll to Death.
I. Love Enthroned
Marked all kindred Powers the heart finds fair: —
Truth, with awed lips; and Hope, with eyes upcast;
And Fame, whose loud wings fan the ashen Past
To signal-fires, Oblivion’s flight to scare;
And Youth, with still some single golden hair
Unto his shoulder clinging, since the last
Embrace wherein two sweet arms held him fast;
And Life, still wreathing flowers for Death to wear.
Love’s throne was not with these; but far above
All passionate wind of welcome and farewell
He sat in breathless bowers they dream not of;
Though Truth foreknow Love’s heart, and Hope foretell,
And Fame be for Love’s sake desirable,
And Youth be dear, and Life be sweet to love.
VI. The Kiss
What smouldering senses in death’s sick delay
Or seizure of malign vicissitude
Can rob this body of honour, or denude
This soul of wedding-raiment worn to-day?
For lo! even now my lady’s lips did play
With these my lips such consonant interlude
As laurelled Orpheus longed for when he wooed
The half-drawn hungering face with that last lay.
I was a child beneath her touch, — a man
When breast to breast we clung, even I and she, —
A spirit when her spirit looked through me, —
A god when all our life-breath met to fan
Our life-blood, till love’s emulous ardours ran,
Fire within fire, desire in deity.
XIX. Silent Noon
Your hands lie open in the long fresh grass, —
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
‘Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
’Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: —
So this wing’d hour is dropt to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.
XXI. Love-Sweetness
Sweet dimness of her loosened hair’s downfall
About thy face; her sweet hands round thy head
In gracious fostering union garlanded;
Her tremulous smiles; her glances’ sweet recall
Of love; her murmuring sighs memorial;
Her mouth’s culled sweetness by thy kisses shed
On cheeks and neck and eyelids, and so led
Back to her mouth which answers there for all —
What sweeter than these things, except the thing
In lacking which all these would lose their sweet —
The confident heart’s still fervour: the swift beat
And soft subsidence of the spirit’s wing,
Then when it feels, in cloud-girt wayfaring,
The breath of kindred plumes against its feet?
XXV. Winged Hours
Each hour until we meet is as a bird
That wings from far his gradual way along
The rustling covert of my soul, — his song
Still loudlier trilled through leaves more deeply stirr’d:
But at the hour of meeting, a clear word