I resisted.

A breeze lifted up from the creek bed. It brought a fresh wave of hot anise smell with it.

"I won't let you think that," she insisted.

She folded herself against my chest and pushed her arms under mine, wrapping fingers around my shoulder blades.

"That's not a denial," I said.

She turned her face into my neck and sighed. I kept holding her, lightly. There were little specks of sand in my throat.

I'm not sure how long it was before the Danielses' white and brown pickup truck drove by us on the bridge. It slid down Old Bandera almost soundlessly, riding the brakes all the way, and doubleparked sideways in front of Floore's.

I made my voice work. "Were you expecting your brother?"

Miranda pulled away, letting her hands slide down until they hooked into mine. She looked where I was looking, saw her father fifty yards away, getting out of the passenger's side of the old Ford. The man coming around the front through the Ford's headlights wasn't Brent—it was Ben French, the drummer. The two men walked together into the bar.

A premonition started twisting into a solid weight somewhere inside my rib cage.

Miranda said, "Why—"

She turned and started walking back toward the bar, trailing me behind her.

Willis and Ben and Milo Chavez met us at the corner of Old Bandera, under the streetlight.

Daniels looked haggard and old, not just with drinking, although he'd obviously been doing that, but with anger and a kind of washedout emptiness, the dazed way people look when they're coming off a crest of grief and waiting for the next surge to hit. He leaned on his cane like he was trying to drive it into the ground. Ben French looked equally haggard. Milo's face was dark and angry.

As we took a few final steps to meet them, Miranda's hand tightened on mine.

"I thought you were in Gruene tonight," she asked her father.

"Miranda—" His voice cracked.

"Why are you driving the truck?" she demanded.

Willis stared at Miranda's hand in mine, confused, like he was mentally trying to separate whose fingers were whose.

"Navarre," Milo put in. He nodded his head back toward the bar, willing me to come with him, to leave father and daughter alone.

Miranda's hand stayed fastened on mine.

"What's happened?" Her voice was sterner than I'd ever heard it, impatient.

"There's been a fire at the ranch," Willis managed to say.

"A fire," Miranda repeated. It was a whisper.

Milo kept looking at me, willing me to step away.

"Where's Brent?" Miranda demanded. But her voice was thin now, glassy.

When no one answered at the count of five, Miranda tried to ask her question again, but this time her voice cracked into small shards of sound.

Willis Daniels looked down at his cane, saw that he hadn't yet driven it into the ground, and wiped his nose with tired resignation.

"You'd best drive with your friends," Willis suggested.

Then he turned to go back to the truck, Ben French holding his arm.

48

The old tractor shed had cracked open like a black eggshell, ^r You could still see huge scars the fire engine had made coming through the gravel and mud, the barbedwire fence it had plowed through in order to get around the back of the house.

All that was left now were three Avalon County units in the front yard, their roof lights rotating lazily, cutting red arcs across the branches of the granddaddy live oak. The medical examiner's car was pulled around the side of the house, parked diagonally over the horseshoe pit.

Around the back of the house a generator whined, cranking out juice for the floodlights that illuminated the sooty wreckage of Brent's apartment. The smell of wet ashes was cloying even from twenty feet away.

Miranda and her father stood on the back porch, talking to a plainclothes detective.

Miranda's face was bleached and vacant. Every few seconds she would shake her head for no apparent reason. Her orange and white blouse had poofed out from her skirt on the left side and wrinkled like a balloon frozen on dry ice.

I looked over what was left of Brent Daniels' front wall. Inside, the hoseddown ashes made a thick, glistening surface, almost a bowl shape. Sticking out of the sludge were lumps, objects—pieces of wood that had miraculously remained unburned right next to large pools of melted metal.

The south wall, to my right, was still almost full height. Most of the wood had bubbled and blackened, but one upper cabinet had come open postfire, revealing a perfectly intact set of dishes. The paint on the inside of the cabinet was pink. The photo of Brent Daniels' mother had been preserved.

Fires have a rotten sense of humour.

Jay Griffin, the medical examiner for Avalon County, had staked out an area where Brent's cot had been, the place where I'd slept that afternoon. Jay and two other men with white gloves were poking into the ashes with what looked like plastic rulers.

Milo walked back to me from the toolshed, where he'd been interrogating one of the deputies. "You overheard?"

I nodded. I'd overheard. Barred door, from the outside. Clear traces of incendiaries on the outer walls, pooled inside where the windows had been. One victim lying on the cot—perhaps drugged, perhaps already dead. No struggle to get out, anyway. The M.E. had mostly charred bones to work with. Maybe some dental work. It takes a lot to burn a human body. Somebody had gone the extra mile.

I looked out into the fields, unnaturally lit up by the spotlights. It made me feel like I was back in a high school stadium night game, all the shadows long and elastic. Third and ten.

The chickens in the coop were little red feathery lumps—dead from the heat. The woven straps on the lawn chairs sagged in the middle where they'd melted.

Farther out, two rusted, dirtcaked septic tanks leaned against the shed. The new tanks had apparently been sunk into the proper places, ready to store gray water for the garden, to make sure the ranch's toilets flushed properly. I'm sure that would've been a big comfort to Brent Daniels, the man who wrote most of Miranda's soonto be hit songs, knowing he'd spent his last afternoon filling in sewage lines.

"Ten gets you twenty," Milo said, "it'll go down as an accident. A suicide, maybe."

On the porch, Willis Daniels was nodding vaguely, grimly, to something the detective was telling him. Miranda had her fingers curled tight against her palms and was pressing them against her eyes.

"They couldn't," I said.

I had already filled Milo in on my latest findings. He had expressed no surprise at the information Sam Barrera had given me, no surprise that the authorities wouldn't be riding to the rescue in time to save his record deal, only a sour regret that Les hadn't gone through with his blackmail plan. I had not told him about my conversation with Miranda.

Milo turned over a charred board with his foot, so the unblackened side of the wood faced up. "One damn signature. All that leverage and all we need is a goddamn signature—not even an admission that Sheck's contract was forged. Just a waiver.

We've got to do something ourselves, Navarre. Friday—"

"You're still thinking about your deadline. After this."

"Come on, Navarre. If Century hears—"

I kicked the board away. It skittered through the wet grass.

"Probably good publicity. Be happy, Milo. You won't have to pay Brent his twentyfive percent for the song rights."

"God damn it, Navarre—"

But I was already walking away. It was either that or take a swing at Milo, and I wasn't the right combination of angry and drunk and stupid for that. Not yet.