I daresay it’s all those years of reading whodunits sharpened my deductive powers, because, after a hideous night of a screeching parrot and a thousand howling dogs, I realised two facts. One, that parrots are intelligent enough to discern a saucer with cute little bunnies running around its rim from a saucer of bilious green. Two, that Willie is an alcoholic. When he saw the wrong saucer, he concluded that his porridge-and-brandy had been withdrawn, and went into withdrawal himself—hence the racket.

Peace was finally restored to Bronte when I got home from work this afternoon. I’d grabbed a taxi at lunchtime and dashed into the city to buy a new Bunnyware saucer. Had to buy the cup as well—two pounds ten! But Gavin and Peter are good scouts, even if they are my big brothers. They each donated a third of the two-and-a-half quid, so I’m not much out of pocket. Silly, isn’t it? But Mum so loves that dippy bird.

Saturday,

January 9th, 1960

Kings Cross is certainly not a let-down. I got off the bus at the stop before Taylor Square and walked the rest of the way with Pappy’s directions memorised. Apparently they don’t eat very early at Kings Cross, because I didn’t have to be there until eight, so by the time I got off the bus it was quite dark. Then as I passed Vinnie’s Hospital it began to rain—just a drizzle, nothing that my frilly pink brolly couldn’t handle. When I reached that huge intersection I believe is the actual Kings Cross, seeing it on foot with the streets wet and the dazzle of all those neons and car lights rippling across the water was completely different from whizzing through it in a taxi. It’s beautiful. I don’t know how the shopkeepers avoid the Sydney Blue Laws, because they were still open on a Saturday evening! Though it was a bit disappointing when I realised that my route didn’t lie along the Darlinghurst Road shops—I had to walk down Victoria Street, in which The House is situated. That’s what Pappy calls it, “The House”, and I know she says it with capital letters. As if it is an institution. So I admit that I hiked past the terraced houses of Victoria Street eagerly.

I love the rows upon rows of old Victorian terraced houses inner Sydney has—not kept up these days, alas. All the lovely cast-iron lace has been ripped off and replaced by sheets of fibro to turn the balconies into extra rooms, and the plastered walls are dingy. Even so, they’re very mysterious. The windows are blanked out by Manchester lace curtains and brown-paper blinds, like closed eyes. They’ve seen so much. Our house at Bronte is only twenty-two years old; Dad built it after the worst of the Depression, when his shop started making money. So nothing’s happened in it except us, and we are boring. Our biggest crisis is Willie’s saucer—at least, that’s the only time the police have called on us.

The House was a long way down Victoria Street, and as I walked I noticed that at this far end some of the terraced houses still had their cast-iron lace, were painted and well kept-up. Right at the end beyond Challis Avenue the street widened into a semicircular dead end. Apparently the Council had run out of tar, because the road was cobbled with little wooden blocks, and I noticed that within the semicircle no cars were parked. This gave the crescent of five terraced houses which filled it an air of not belonging to the present. They were all numbered 17—17a, b, c, d and e. The one in the middle, 17c, was The House. It had a fabulous front door of ruby glass etched in a pattern of lilies down to the clear glass underneath, the bevels glittering amber and purple from the light inside. It wasn’t locked, so I pushed it open.

But the fairytale door led into a desert waste. A dingy hall painted dirty cream, a red cedar staircase leading upward, a couple of fly-dirt-speckled naked lightbulbs on long, twisted brown cords, awful old brown linoleum pitted from stiletto heels. From the skirting boards to a height of about four feet, every single bit of wall I could see was smothered in scribbles, aimless loops and whorls of many colours with the waxy look of crayon.

“Hello!” I yelled.

Pappy appeared from beyond the staircase, smiling a welcome. I think I stared quite rudely, she looked so different. Instead of that unflattering bright mauve uniform and hair-hiding cap, she wore a skin-tight tube of peacock blue satin embroidered in dragons, and it was split so far up her left leg that I could see the top of her stocking and a frilly lace suspender. Her hair cascaded down her back in a thick, straight, shining mass—why can’t I have hair like that? Mine is just as black, but it’s so curly that if I grew it long it’d stick out like a broom in an epileptic fit. So I hack mine really short with a pair of scissors.

She led me through a door at the end of the passage beside the stairs and we emerged into another, much shorter hall which went sideways and seemed to end in the open air. It held only the one door, which Pappy opened.

Inside was Dreamland. The room was so chocka with books that the walls were invisible, just books, books, books, floor up to ceiling, and there were stacks of books lying around that I suspect she’d cleared off her chairs and table in order to entertain me. During the course of the evening I tried to count them, but there were too many. Her collection of lamps knocked me sideways, they were so gorgeous. Two dragonfly stained-glass ones, an illuminated globe of the world on a stand, kerosene lamps from Indonesia converted to electricity, one that looked like a white chimney six feet tall, overlaid with slashed purple swellings. The ceiling bulb was inside a Chinese paper lantern dripping silk tassels.

Then she proceeded to cook food that bore no relationship to the chow-meow from Hoo Flung’s up Bronte Road. My tongue smarting gently from ginger and garlic, I shovelled in three helpings. There is nothing wrong with my appetite, though I never manage to keep enough weight on to graduate from a B to a C cup bra. Darn. Jane Russell is a full D cup, but I’ve always thought that Jayne Mansfield is only a B cup on top of a huge rib cage.

When we’d finished and drunk a pot of fragrant green tea, Pappy announced that it was time to go upstairs and meet Mrs. Delvecchio Schwartz. The landlady.

When I remarked that it was a peculiar name, Pappy grinned.

She led me back to the front hall and the red cedar staircase. As I followed her up, consumed with curiosity, I noticed that the crayon scribbles didn’t stop. Rather, they increased. The stairs continued upward to a higher floor, but we went forward to a huge room at the front of the house, and Pappy pushed me inside. If you want to find a room that is the exact opposite of Pappy’s, this one is it. Bare. Except for the scribbles, which were so thick that there wasn’t a scrap of space for more. Maybe because of that, one section had been roughly painted over, apparently to provide the artist with a fresh canvas, as a few scribbles already adorned it. The place could have held six lounge suites and a dining table to seat twelve, but it was mostly empty. There was a rusty chrome kitchen table with a red laminex top, four rusty chairs with the padding of their red plastic seats oozing out like pus from a carbuncle, a velvet couch suffering from a bad attack of alopecia, and an up-to-the-minute refrigerator/freezer. A pair of glass-panelled doors led out onto the balcony.

“Out here, Pappy!” someone called.

We emerged onto the balcony to find two women standing there. The one I saw first was clearly from the Harbourside Eastern Suburbs or the upper North Shore—blue-rinsed hair, a dress that came from Paris, matching shoes, bag and gloves in burgundy kid, and a weeny hat much smarter than the ones Queen Elizabeth wears. Then Mrs. Delvecchio Schwartz stepped forward, and I forgot all about the middle-aged fashion plate.