^{___. The Thinking Eye. London: Lund Humphries, 1961.}

^{Kranz, Stewart, and Fisher, Robert. The Design Continuum.}

^{New York: Reinhold, 1966.}

^{Kuebler, George. The Shape of Time. New York: Schocken, 1967.}

^{Kumar, Satish (ed.). The Schumacher Lectures.}

^{London: Blond & Briggs, 1980.}

^{Larrabee, Eric, and Vignelli, Massimo. Knoll Design.}

^{New York: Abrams, 1981.}

^{Lethaby, W. R. A Continuing Presence: Essays from Form in Civilization.}

^{Manchester, England: British Thornton Ltd., 1982.}

^{___. Architecture, Mysticism and Myth. New York: George Braziller, 1975.}

^{___. Architecture, Nature & Magic. New York: George Braziller, 1956.}

^{Lovins, Amory B. Soft Energy Paths. New York: Harper & Row, 1979.}

^{Malevich, Kasimir. The Non-objective World. Chicago: Paul Theobald, 1959.}

^{Mayall, W. A. Principles in Design. New York: Van Nostrand Rein-hold, 1979.}

^{Moholy-Nagy, Laszl6. The New Vision. 4th ed. New York: Witten-born, 1947.}

^{___. Telehor. Bratislava, Czechoslovakia: 1968.}

^{___. Vision in Morion. Chicago: Paul Theobald, 1947.}

^{Moholy-Nagy, Sibyl. Moholy-Nagy: Experiment in Totality.}

^{New York: Harper, 1950.}

^{Mondrian, Piet. Plastic and Pure Plastic Art. New York: Witten-born, 1947.}

^{Mundt, Ernest. Art, Form & Civilization. Berkeley:}

^{University of California Press, 1952.}

^{Nelson, George. How to See. Boston: Little, Brown, 1977.}

^{___. On Design. New York: Watson-Guptill, 1979.}

^{___. Problems of Design. New York: Whitney Publications, 1957.}

^{Newton, Norman T. An Approach to Design.}

^{Boston: Addison-Wes-ley Press, 1951.}

^{Niece, Robert С Art: An Approach.}

^{Dubuque, Iowa: William C, Brown & Co., 1959.}

^{Papanek, Victor. «Big Character» Poster No. 1: Work Chart for Designers,}

^{Charlottenlund, Denmark: Finn Sloth Publications, 1973.}

^{___. Design For Human Scale.}

^{New York: Van Nostrand Rein-hold, 1983.}

^{___. "Die Aussicht von Heute" [The view from today]}

^{in Design ist Unsichtbar (Design is Invisible).}

^{Vienna, Austria: Locker Verlag, 1981.}

^{___. "Kymmenen Ymparistoa" [Environments for discovery].}

^{Ornamo magazine (bilingual). Helsinki, Finland: February, 1970.}

^{___. "Socio-Environmental Consequences of Design"}

^{In Health & Industrial Growth. Holland:}

^{Associated Scientific Publishers, 1975. (CIBA Symposium XXII).}

^{___. "Areas of Attack for Responsible Design"}

^{In Man-made Futures. London: Hutchinson, 1974.}

^{___. "Friendship First, Competition Second"}

^{Casabella (Milan), December 1974.}

^{___. "Project Batta Koya" Industrial Design, July-August 1975.}

^{___. "On Resolving Contradictions Between Theory and Practice"}

^{Mobilia (Denmark), July-August 1974.}

^{Papanek, Victor, and Hennessey, James. How Things Don't Work.}

^{New York: Pantheon Books, 1977.}

^{___. Nomadic Furniture. New York: Pantheon, 1973.}

^{___. Nomadic Furniture 2. New York: Pantheon, 1974.}

^{Pentagram. Living by Design. London: Lund Humphries. 1978.}

^{___. Pentagram. London: Lund Humphries, 1972.}

^{Pile, John F. Design. Amherst: University of Massachusetts Press, 1979.}

^{Potter, Norman. What is a Designer. Things, Places, Messages.}

^{London: Hyphen Press, 1980.}

^{Pye, David. The Nature & Aesthetics of Design.}

^{New York: Van Nostrand Reinhold, 1978.}

^{Rand, Paul. Thoughts on Design. London: Studio Vista, 1970.}

^{Schumacher, E. F. Good Work. New York: Harper & Row, 1979.}

^{Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.}

^{New York: Rizzoli, 1981.}

^{Промышленный дизайн}

^{Aluminum Company of America. Design Forecast No. 1&.N0. 2.}

^{Pittsburgh: Aluminum Company of America, 1959, 1960.}

^{Beresford, Evans J. Form in Engineering Design.}

^{Oxford: Clarendon Press, 1954.}

^{Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.}

^{Braun-Feldweg, Wilhelm. Industrial Design Heute.}

^{Hamburg, Germany: Rowohlt, 1966.}

^{___. Normen und Formen Industrieller Produktion.}

^{Ravensburg, Germany: Otto Maier, 1954.}

^{Chase, Herbert. Handbook on Designing for Quantity Production.}

^{New York: McGraw-Hill, 1950.}

^{The Design Collection: Selected Objects.}

^{New York: Museum of Modern Art, 1970.}

^{Doblin, Jay. One Hundred Great Product Designs.}

^{New York: Rein-hold, 1969.}

^{Drexler, Arthur. Introduction to Twentieth Century Design.}

^{New York: Museum of Modern Art, 1959.}

^{___. The Package. New York: Museum of Modern Art, 1959.}

^{Dreyfuss, Henry. Designing for People.}

^{New York: Simon & Schus-ter, 1951.}

^{Eksell, Olle. Design = Ekonomi. Stockholm: Bonniers, 1964.}

^{Ekuan, Kenji. Industrial Design Lectures. Melbourne: Trevor Wilson, 1973.}

^{Farr, Michael. Design in British Industry.}