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The story still had a long way to go: There was no labyrinth of suffering in the manuscript that Julie first read, and no Great Perhaps. I wanted to write a novel about love and suffering and forgiveness, a novel of what in the study of religion is called “radical hope,” the idea that hope is available to all of us at all times, even unto—and after—death. I hope I pulled it off. If I did, it wasn’t because of me. It was because my parents welcomed me home, because Harvey portrayed mental illness as more than merely tragic, because Ilene and Julie believed in my work and devoted years to this novel, and because readers have looked upon it with generosity and forgiven its many flaws.

So that’s the story of my Great Perhaps. Thanks for being part of it.

Looking for Alaska - fb3_img_img_102d8471-7faa-5c74-9b4c-6fb44911d1d7.jpg

Looking for Alaska - fb3_img_img_aa885a19-aead-51b9-ac55-1e43c741e615.jpg

one hundred thirty-six days before

THE WEEK BEFORE I left my family and Florida and the rest of my minor life to go to boarding school in Alabama, my mother insisted on throwing me a going-away party. To say that I had low expectations would be to underestimate the matter dramatically. Although I was more or less forced to invite all my “school friends,” i.e., the ragtag bunch of drama people and English geeks I sat with by social necessity in the cavernous cafeteria of my public school, I knew they wouldn’t come. Still, my mother persevered, awash in the delusion that I had kept my popularity secret from her all these years. She cooked a small mountain of artichoke dip. She festooned our living room in green and yellow streamers, the colors of my new school. She bought two dozen champagne poppers and placed them around the edge of our coffee table.

And when that final Friday came, when my packing was mostly done, she sat with my dad and me on the living-room couch at 4:56 P.M. and patiently awaited the arrival of the Good-bye to Miles Cavalry. Said cavalry consisted of exactly two people: Marie Lawson, a tiny blonde with rectangular glasses, and her chunky (to put it charitably) boyfriend, Will.

“Hey, Miles,” Marie said as she sat down.

“Hey,” I said.

“How was your summer?” Will asked.

“Okay. Yours?”

“Good. We did Jesus Christ Superstar. I helped with the sets. Marie did lights,” said Will.

“That’s cool.” I nodded knowingly, and that about exhausted our conversational topics. I might have asked a question about Jesus Christ Superstar, except that 1. I didn’t know what it was, and 2. I didn’t care to learn, and 3. I never really excelled at small talk. My mom, however, can talk small for hours, and so she extended the awkwardness by asking them about their rehearsal schedule, and how the show had gone, and whether it was a success.

“I guess it was,” Marie said. “A lot of people came, I guess.” Marie was the sort of person to guess a lot.

Finally, Will said, “Well, we just dropped by to say good-bye. I’ve got to get Marie home by six. Have fun at boarding school, Miles.”

“Thanks,” I answered, relieved. The only thing worse than having a party that no one attends is having a party attended only by two vastly, deeply uninteresting people.

They left, and so I sat with my parents and stared at the blank TV and wanted to turn it on but knew I shouldn’t. I could feel them both looking at me, waiting for me to burst into tears or something, as if I hadn’t known all along that it would go precisely like this. But I had known. I could feel their pity as they scooped artichoke dip with chips intended for my imaginary friends, but they needed pity more than I did: I wasn’t disappointed. My expectations had been met.

“Is this why you want to leave, Miles?” Mom asked.

I mulled it over for a moment, careful not to look at her. “Uh, no,” I said.

“Well, why then?” she asked. This was not the first time she had posed the question. Mom was not particularly keen on letting me go to boarding school and had made no secret of it.

“Because of me?” my dad asked. He had attended Culver Creek, the same boarding school to which I was headed, as had both of his brothers and all of their kids. I think he liked the idea of me following in his footsteps. My uncles had told me stories about how famous my dad had been on campus for having simultaneously raised hell and aced all his classes. That sounded like a better life than the one I had in Florida. But no, it wasn’t because of Dad. Not exactly.

“Hold on,” I said. I went into Dad’s study and found his biography of François Rabelais. I liked reading biographies of writers, even if (as was the case with Monsieur Rabelais), I’d never read any of their actual writing. I flipped to the back and found the highlighted quote (“NEVER USE A HIGHLIGHTER IN MY BOOKS,” my dad had told me a thousand times. But how else are you supposed to find what you’re looking for?).

“So this guy,” I said, standing in the doorway of the living room. “François Rabelais. He was this poet. And his last words were ‘I go to seek a Great Perhaps.’ That’s why I’m going. So I don’t have to wait until I die to start seeking a Great Perhaps.”

And that quieted them. I was after a Great Perhaps, and they knew as well as I did that I wasn’t going to find it with the likes of Will and Marie. I sat back down on the couch, between my mom and my dad, and my dad put his arm around me, and we stayed there like that, quiet on the couch together, for a long time, until it seemed okay to turn on the TV, and then we ate artichoke dip for dinner and watched the History Channel, and as going-away parties go, it certainly could have been worse.

one hundred twenty-eight days before

FLORIDA WAS PLENTY HOT, certainly, and humid, too. Hot enough that your clothes stuck to you like Scotch tape, and sweat dripped like tears from your forehead into your eyes. But it was only hot outside, and generally I only went outside to walk from one air-conditioned location to another.

This did not prepare me for the unique sort of heat that one encounters fifteen miles south of Birmingham, Alabama, at Culver Creek Preparatory School. My parents’ SUV was parked in the grass just a few feet outside my dorm room, Room 43. But each time I took those few steps to and from the car to unload what now seemed like far too much stuff, the sun burned through my clothes and into my skin with a vicious ferocity that made me genuinely fear hellfire.

Between Mom and Dad and me, it only took a few minutes to unload the car, but my unair-conditioned dorm room, although blessedly out of the sunshine, was only modestly cooler. The room surprised me: I’d pictured plush carpet, wood-paneled walls, Victorian furniture. Aside from one luxury—a private bathroom—I got a box. With cinder-block walls coated thick with layers of white paint and a green-and-white-checkered linoleum floor, the place looked more like a hospital than the dorm room of my fantasies. A bunk bed of unfinished wood with vinyl mattresses was pushed against the room’s back window. The desks and dressers and bookshelves were all attached to the walls in order to prevent creative floor planning. And no air-conditioning.

I sat on the lower bunk while Mom opened the trunk, grabbed a stack of the biographies my dad had agreed to part with, and placed them on the bookshelves.

вернуться

Contents

Cover

Title Page

Copyright

Dedication

Introduction

Before

One Hundred Thirty-Six Days Before

After

The Day After

Some Last Words on Last Words

Deleted Scenes

Opening Scenes

Original Draft Opening, August 2003

Original First Meeting, August 2003

The Funeral

Original Funeral, August 2003

Funeral, Revision Delivered January 2004

Funeral, Revision Delivered March 2004

“Before & After” Counting Alaska’s Days

Q & A with John Green

Alaska, Ten Years Later: A Literary Retrospective by Michael Cart

Acknowledgments

Also by John Green

About the Publisher

вернуться

Contents

Cover

Title Page

Copyright

Dedication

Introduction

Before

One Hundred Thirty-Six Days Before

After

The Day After

Some Last Words on Last Words

Deleted Scenes

Opening Scenes

Original Draft Opening, August 2003

Original First Meeting, August 2003

The Funeral

Original Funeral, August 2003

Funeral, Revision Delivered January 2004

Funeral, Revision Delivered March 2004

“Before & After” Counting Alaska’s Days

Q & A with John Green

Alaska, Ten Years Later: A Literary Retrospective by Michael Cart

Acknowledgments

Also by John Green

About the Publisher

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