Riveting . . . vibrant and unsparing. Publishers Weekly (starred and boxed review)Superb. . . . Startlingly original. Library Journal (starred review)Once I started reading these stories, I couldnt stop. They absorbed me thoroughly, with their taut narratives and evocative languagethe language of a poet. JAY PARINI, author of Jesus: The Human Face of God and The Last StationSherwood Anderson would recognize this world of lonely, longing characters, whose surface lives Coffey tenderly plumbs. These beautiful storiesspare, rich, wise and compellinggo to the heart. FREDERIC TUTEN, author of Self Portraits: Fictions and Tintin in the New WorldWhether [Coffey is] writing about a sinning priest or a man whos made a career out of branding or about himself, we can smell Coffeys protagonists and feel their breath on our cheek. Like Chekhov, he must be a notebook writer; how else to explain the strange quirks and the perfect but unaccountable details that animate these intimate portraits? EDMUND WHITE, author of Inside a Pearl and A Boys Own StoryAmong these eight stories, a fan of writer (and fellow adoptee) Harold Brodkey gains an audience with him at his lifes end, two pals take a Joycean sojourn, a man whose business is naming things meets a woman who may not be what she seems, and a father discovers his son is a suspect in an assassination attempt on the president. In each tale, Michael Coffeys exquisite attention to character underlies the brutally honest perspectives of his disenchanted fathers, damaged sons, and orphans left feeling perpetually disconnected.Michael Coffey is the author of three books of poems and 27 Men Out, a book about baseballs perfect games. He also co-edited The Irish in America, a book about Irish immigration to America, which was a companion volume to a PBS documentary series. He divides his time between Manhattan and Bolton Landing, New York. The Business of Naming Things is his first work of fiction.