1. Complete the following sentences using the Speech Patterns:
1. Why did you give Ann the tickets? — She tricked .... 2. It was only when I came home that I noticed that I had been .... 3. Why on
earth are you shouting? I'm not ... . 4. It's no concern of yours. I'm not.... 5. She was making every effort not.... 6. It was the first time
he ... . 7. She must have realized she was wrong. She just stuck to her point ... . 8. She isn't really interested in my affairs. She
asked ... . 9. You're in no condition to speak to her now. Why not ...? It's a splendid opportunity for us to get together. Why not...?
2. Suggest the beginning matching the end using the Speech Patterns:
1. ... that you should shout at me? 2. ... that he should interfere in my affairs? 3. ... I'm free, I'll let you know. 4. ... he comes, tell
him I'm in the library. 5. ... an hour or so to do the job. 6. ... about 2,000 roubles.
3. Paraphrase the following using the Speech Patterns:
1. She made me give her the letter saying that she already had your permission to read it. 2. It was the first time he lost his temper
with her. 3. She hated crying in public. 4. Why does she think that she can keep everyone waiting? 5. Why does he think that every-
one should always stand up for him? 6. As soon as he stirred, the dog growled. 7. As soon as George started playing the banjo,
Montmorency began howling. 8. I should never have thought you'd be so long about answering my letter. 9. One must have skill to
make a fire in the rain. 10. I did it because I was sorry for her.
1 1 . You needn't stay just to be polite. I'll be perfectly all right alone. 12. Don't you think you should be frank if you want my ad vice?
13. You can always sell your piano if you don't really need it.
4. Complete the answers:
1.
Why do you dislike Jim so much? — He's dishonest. He can easily ... . 2. Are you still angry with her? — I am. She ... . 3.
What did she answer I wonder? —. She didn't... . 4. Did the girl cry when she fell? — She didn't ... . 5. Shall we go and help him? —
No, he said he was n o t . . . . 6. I'm at my wits' end what to do. — Oh, come, don't ... . 7. Do you think he'll take the news calmly? —
Oh, no, he's sure ... . 8. Why didn't you tell Janet that you disapproved of her decision? — How could I? Who do you think I ... ? 9.
Who are we waiting for now? — Jane. She ... . 1 0 . I'm afraid I shan't manage to drop in on her. — But you live next door to her. It ... .
1 1 . Shall I wait for you? — If you will. It'll ... . 1 2 . Why won't you come? She invited you, didn't she? — She did, but it was only ... .
5. Make up two sentences of your own on each pattern.
6. Translate into English using the Speech Patterns:
Однажды Алек заявил, что в воскресенье мы идем на лыжах. «Мы слишком много торчим дома, — сказал он. — Почему бы не пробе жать
километров десять-пятнадцать по лесу? Это не отнимет у нас много времени, зато всю неделю будем хорошо себя чувствовать». Когда в точно
назначенное время я пришла на вокзал, я увидела на платформе несколько человек, ожидавших поезд, но Алека среди них не было. «Мало ли что
могло его задержать», — подумала я и решила немного подождать.
Ветер пронизывал меня до костей, и вскоре я начала злиться. «Кто он такой, что я должна его ждать?» Но как раз в тот момент, когда я уже
собралась уходить, появился Алек с опозданием на 10 минут и не очень вразумительно стал говорить что-то о часах, ко торые он забыл завести. Я
не удержалась и сказала ему, что я о нем думаю. В конце концов я не из тех, с кем можно так поступать.
Мы все-таки поехали, но настроение было испорчено у обоих.
Когда мы сошли с поезда на маленькой станции, мы отправились в лес: я впереди, Алек за мной. Он сказал, что так у меня не будет воз -
можности отстать.
Всю ночь шел снег, и лыжни еще никто не проложил. Мне было трудно идти первой, и я сказала: «Почему бы нам не поменяться мес тами?
Тебе не придется прилагать столько усилий, чтобы идти впереди, ты же хороший лыжник». Но Алек не захотел. «Это он со злости», — подумала я.
Но когда через несколько минут я оглянулась, то к моему великому удивлению, увидела, что он тащится где-то*позади, явно не в состоянии
держаться со мной наравне.
Все стало ясно: он просто не умел ходить на лыжах. Я очень пожалела, что поехала с ним. Дело не в том, что он оказался плохим лыжником.
Он был лгун и хвастун. А с этим я не могла смириться.
7. Make up and act out in front of the class a suitable dialogue using the Speech Patterns.
TEXT SIX THE MAN OF DESTINY
By G.B.Shaw
"^George Bernard Shaw (1856-1950), a prominent playwright, was born of an impoverished middle-class family in Dublin where he attended a college. In
1876 he started working as a journalist in London. He became a socialist in 1882 and in 1884 joined the Fabian Society, an organization of petty bourgeois
intellectuals. In 1879 G.B.Shaw took up writing plays, in which he criticized the vices of bourgeois society. Bernard haw is famous for his brilliant
dialogues, full of witty paradoxes and often bitterly satirical. In his play The Man of Destiny 1 (1895) he depicts Napoleon as a practical business-like man
who makes his career at the cost of human lives. Bernard Shaw was a friend of the Soviet Union which he visited in 1931.
A little inn in North Italy. Napoleon has just put under arrest the lieutenant who arrived without the letters and dispatches he had
been sent for, saying that an unknown youth had tricked him out of them.
T h e L a d y ' s v o i c e ( outside, as before): Giuseppe!
L i e u t e n a n t ( petrified) : What was that?
G i u s e p p e : Only a lady upstairs, lieutenant, calling me.
L i e u t e n a n t : Lady! It's his voice, I tell you.
The Strange Lady steps in. She is tall and extraordinarily graceful with a delicately intelligent face: character in the chin: all keen,
refined, and original. She's very feminine, but by no means weak.
L i e u t e n a n t : So I've got you, my lad. So you've disguised yourself, have you? [In a voice of thunder, seizing her wrist.) Take off
that skirt.
L a d y (affrighted, but highly indignant at his having dared to touch her)-. Gentleman: I appeal to you (To Napoleon.) You, sir,
are an officer: a general. You will protect me, will you not?
L i e u t e n a n t : Never you mind him, General. Leave me to deal with him.
N a p o l e o n : With him! With whom, sir? Why do you treat this lady in such a fashion?
L i e u t e n a n t : Lady! He's a man! the man I shewed 2 my confidence in. (Raising his sword.) Here, you —
L a d y (running behind Napoleon and in her agitation clasping to her breast the arm which he extends before her as a
fortification): Oh, thank you, General. Keep him away.
N a p o l e o n : Nonsense, sir. This is certainly a lady and you are under arrest. Put down your sword, sir, instantly. I order you to
leave the room.
G i u s e p p e ( discreetly ) : Come, lieutenant. (He opens the door and follows the lieutenant.)
L a d y : How can I thank you, General, for your protection?
N a p o l e o n (turning on her suddenly): My despatches: come! (He puts out his hand for them.)
L a d y : General! (She unvoluntarily puts her hands on her fichu 3 as if to protect something there.)
N a p o l e o n : You tricked that blockhead out of them. You disguised yourself as a man. I want my despatches. They are there in
the bosom of your dress under your hands.
