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This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Copyright © 2025 by Rachel Gillig

Cover design by Lisa Marie Pompilio

Cover photographs by Blake Morrow

Cover copyright © 2025 by Hachette Book Group, Inc.

Map by Tim Paul

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.

Orbit

Hachette Book Group

1290 Avenue of the Americas

New York, NY 10104

orbitbooks.net

First Edition: May 2025

Simultaneously published in Great Britain by Orbit

Orbit is an imprint of Hachette Book Group.

The Orbit name and logo are registered trademarks of Little, Brown Book Group Limited.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or email [email protected].

Orbit books may be purchased in bulk for business, educational, or promotional use. For information, please contact your local bookseller or the Hachette Book Group Special Markets Department at [email protected].

Library of Congress Cataloging-in-Publication Data

Names: Gillig, Rachel, author.

Title: The knight and the moth / Rachel Gillig.

Description: First Edition. | New York : Orbit, 2025. | Series: The Stonewater Kingdom ; book 1

Identifiers: LCCN 2024037289 | ISBN 9780316582704 (hardcover) | ISBN 9780316573788 (ebook)

Subjects: LCGFT: Fantasy fiction. | Novels.

Classification: LCC PS3607.I44448 K65 2025 | DDC 813/.6—dc23/eng/20240816

LC record available at https://lccn.loc.gov/2024037289

ISBNs: 9780316582704 (hardcover), 9780316595728 (Target exclusive edition), 9780316597692 (international edition), 9780316573788 (ebook)

E3-20250416-JV-NF-ORI

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Contents

Cover

Title Page

Copyright

Dedication

Map

Aisling Cathedral

Chapter One: Six Maidens upon a Wall

Chapter Two: Omens

Chapter Three: The Foulest Knight in All of Traum

Chapter Four: Blackmail, for Instance

Coulson Faire

Chapter Five: Sprites in the Glen

Chapter Six: Hit Me As Hard As You Can

Chapter Seven: The Moth

Chapter Eight: Gone

Chapter Nine: Time to Go, Diviner

The Seacht

Chapter Ten: Young, and Rather Old

Chapter Eleven: The Harried Scribe

Chapter Twelve: Our Feet Will Take Us Where We Need to Go

Chapter Thirteen: Take Up the Mantle

Chapter Fourteen: Wax

The Fervent Peaks

Chapter Fifteen: Mountain Sprites

Chapter Sixteen: What Is Harrowing Is Hallowed

Chapter Seventeen: The Ardent Oarsman

Chapter Eighteen: Hit Me As Hard As You Can, Encore

Chapter Nineteen: I Can’t Swim

Chapter Twenty: With Hammer, with Chisel

The Chiming Wood

Chapter Twenty-One: Sybil Delling

Chapter Twenty-Two: Feel, but Cannot See

Chapter Twenty-Three: The Chime

Chapter Twenty-Four: Take Off My Armor

Chapter Twenty-Five: Unraveling

The Cliffs of Bellidine

Chapter Twenty-Six: You Can Never Go Home

Chapter Twenty-Seven: Love and Heartbreak

Chapter Twenty-Eight: The Heartsore Weaver

Chapter Twenty-Nine: The First Diviner

Aisling Cathedral, Returned

Chapter Thirty: The End of the Story

Chapter Thirty-One: The Last Diviner

Acknowledgments

Discover More

Also by Rachel Gillig

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To the child in each of us, yearning to be special. Take my hand, you strange little creature, and together we shall walk beyond the wall.

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Aisling Cathedral

You know this story, Bartholomew, though you do not remember it. I’ll tell it to you as best I can and promise to be honest in my talebearing. If I’m not, that’s hardly my fault. To tell a story is in some part to tell a lie, isn’t it?

Once, you came upon Traum’s highest tor, where the wind whispered a minor tune. There, the gowan flowers were white and the stones were gray and both stole the warmth from your bare feet.

A cathedral was built there, and you tiptoed, small as an insect, through the narthex, into the nave, down the aisle. Blood stained your lips, and you fell into the spring that came from that ancient stone upon the chancel. When you looked up at the rose window, the light kissed stained glass. Your craft was obedience. You said the names of gods and how to read their signs. You learned how to dream—

And how to drown.

I’m sorry. I don’t care to go back to this part of the story either, Bartholomew. But I so often wonder…

Could the rest exist without it?

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CHAPTER ONE SIX MAIDENS UPON A WALL

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The peculiar gargoyle, who spoke mostly in broken parables, shuffled to the dim corner of the ambulatory. There, strung between iron candlesticks, a spider’s web held a fly captive.

“Incessant buzzing.” The gargoyle wagged a limestone finger at the fly, his craggy voice echoing through the cathedral. “Serves you right. If I’ve told you once, I’ve told you a thousand times, watch where you are going. Now”—he leaned close and peered at the web—“hold still. I’m going to extract you from this snare.”

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