I squint at her. “And you think I’m in the FBI because . . . ?”

“I don’t,” she says. “Landon does. My guess is witness protection.”

There’s being bad at small talk, and then there’s being so reticent that your coworkers assume you’ve recently testified against a mob boss, and I never knew how thin the line between the two was.

In my defense, Landon is nineteen years old and nearly always listening to shoegaze in his AirPods at the decibel of a launching rocket, so it’s not like there have been loads of opportunities to bond.

“Bathroom’s this way,” I say, leading her inside.

She gawks as she follows, apparently unbothered by the lack of surveillance equipment.

We pause in front of the entrance to the hallway, where Miles’s room, the bathroom, and my room are tucked off of the living room. “Cute place,” she says.

“Thanks,” I say, though honestly, this is all pretty much Miles, a funky mix of thrift-store pieces from the fifties to seventies, Laurel Canyon chic.

She shuts herself in the bathroom—quite possibly, I think, to dig through my medicine cabinet—and I go back to the kitchen for another glass of water. In college, I really took the posters that littered our dorm rooms to heart: ONE TO ONE, IF AT ALL, they read, with an illustrated beer bottle beside an illustrated glass of water. The habit stuck.

From the kitchen I hear the bathroom door whine open, and I pad back into the living room, but Ashleigh isn’t there.

“Do you snowboard?” she calls from around the corner, down the hallway.

“What?” I pass through the doorway and see her not on the right, in my room, but to the left, in Miles’s. She’s wandering through it like it’s a museum, moving from the snowboard and battered hockey sticks in the corner to the plants and incense holders in the windowsill.

“This is my roommate’s room,” I tell her.

She’s reading the tiny text around the edge of a framed show poster, but I’m fixated on the framed photograph of Miles and Petra on his dresser. They stand in front of the lake, her arms slung around his waist, a less scruffy version of him looking down at her adoringly. She’s waifish and cute, and he’s rangy and winsome, and it’s impossible to hate this version of her, the one who made him so happy. Until it occurs to me that now she’s making Peter this happy.

I’d always thought he and I were so good together. He was stable and reliable and driven. He had a five-year plan, and not in a boring way. We were going to go see the cherry blossoms in Japan together, visit Dubai, see the Eiffel Tower. But we were also going to put money into retirement and have monthly dinners with his family.

In short, Peter was the exact opposite of my dad, who was occasionally a doting father but rarely a present one.

It had taken a lot of therapy for me to stop gravitating toward emotionally unavailable men, the kind who’d get a matching tattoo with you one week, and be dating your upstairs neighbor the next. I’d been so relieved when I finally fell in love with someone who actually wanted to love me back.

A Relationship Guy, who craved the bond his parents had. Who liked routine, and texted back in a reasonable amount of time and shared his calendar with me.

Maybe if we’d never moved back here, we’d still be together.

Then again, maybe in five years, he still would’ve left me for Petra. Maybe they’re every bit as destined as he’s convinced. I’m nauseated by the thought that maybe she belongs there, in that home I’d thought was mine, while I belong nowhere.

Ashleigh points to the two and one half pairs of Crocs (yes, that’s five individual Crocs) halfway in the closet. “Excuse me,” she says. “How many Crocs does this man have?”

“Well,” I say. “At least those and the ones I assume are on his feet at this very moment.”

She stares at the clogs. “Service industry, nurse, or run-of-the-mill weirdo?”

“Service industry,” I confirm; then, with a tickle of affection, “But also a weirdo. Which reminds me, we’re supposed to try the pinot tonight.”

“How did that remind you of pinot,” she says, but as I turn to leave, I forget she asked.

My stomach flips at the sight of the wall behind Miles’s headboard.

I’ve never noticed it before, because I’ve only been in here one other time.

Dozens of Polaroids are tacked in tidy columns. Tidier, I suspect, than Miles would have been. Likely they’re a holdover from his Petra era.

Which makes sense, given that they very clearly tell the story of their relationship. Three years’ worth of birthday cakes. Three years’ worth of tiny tinsel Christmas trees. Three years’ worth of stand-up paddle-boarding, cliff jumping, sipping wine in front of a sunset, riding a share moped in front of what I assume to be the Mediterranean Sea. Three years’ grinning into each other’s mouths with their hands in each other’s hair.

They look so happy.

It feels intrusive to see them like this, let alone to let my coworker gawk at the evidence of his failed relationship. “We should go,” I say, quickly steering Ashleigh back into the hallway and closing the door behind us.

Would he take her back? I find myself wondering, before seamlessly transitioning into Would I take Peter back?

“Definitely not,” I say aloud.

“What?” Ashleigh says.

“Nothing!” I say. “Let’s go get wine.”

Ashleigh follows me back to the front door, her head on a swivel. “Do you see ghosts or something?”

“Or something,” I say.

“Well, Vince,” she says. “You may not be FBI, but you’re definitely more interesting than all that tweed lets on.”

“My last name is Vincent,” I tell her.

“See?” she says. “A whole syllable I knew nothing about. You’re full of surprises.”

“I hate surprises,” I tell her.

Cherry Hill, like most local wineries, is on a peninsula that juts into the vast expanse of Lake Michigan’s northernmost curve. The vineyards sprawl across gently rolling hills on either side of the long gravel road that brings us to the winery itself, all sleek glass, balsa wood, and corrugated metal. The parking lot is jammed, the gardens that encircle it bursting with colorful blooms, all tinted pinkish by the setting sun.

Out beyond the flowers and hedges, whitewashed tables dot a grassy stretch, customers milling from the bocce court on one end to a duck pond at the other, delicately stemmed glasses in hand. Globe lights hang over the seating area, just waiting for the falling night to give them the cue to light up.

“This place is gorgeous,” I say, climbing out of Ashleigh’s beat-up hatchback. It’s cooled down and I’m regretting not grabbing a jacket.

She looks at me sidelong. “Haven’t you been here?”

I guess my blatant awe gave me away. “Peter wasn’t a wine guy.”

“Peter?” she says. “That’s your ex, right?”

I manage a “mm-hmm.”

Ashleigh swings her oversize bag onto her shoulder and tugs the hem of her miniskirt toward the tops of her suede knee-high boots as she starts toward the front doors. “What about your friends? None of them wine guys either?”

What I don’t say is, we had all the same friends.

What I don’t say is, technically, this means I had no friends. Even after all those Frank Herbert novels I read just so I’d have something to bond with Scott over.

“Guess not,” I say. “What about you? You’ve been here before, right?”

“Only twice,” she says. “Duke wasn’t a wine guy either.”

“And Duke is . . . ?” I pull the door open.

“A large horse,” she says. “What do you think, Daphne? He’s my ex-husband.”

“I suppose I could have guessed that,” I admit, and follow her inside.

A smell like burning cedar wafts toward us as we enter the dimly lit room. A sleek modern bar runs along the left wall, the wall behind it entirely smoked glass, massive wine casks stacked behind it and softly glowing in golden light. The other three walls are likewise glass, but these look out over the vineyards, a narrow wooden counter mounted along them so people can watch the sunset while they sip. High-tops are arranged in the middle of the room, and in the windowed wall opposite the bar, a huge slate fireplace reaches toward the vaulted ceiling, flames crackling and leaping within it.