To the end of a day I sat being bored at the table waiting for somebody with enough authority to introduce me to my job. Sometimes I left the room to stretch out and walked through the corridors, observing the colleagues. Finally, with no one coming to me, I gave up waiting and went home.
At the head of the coffin, besides the portrait, was standing the Poliburo of this party: Fomin, Myacheva, and others that I had noticed yesterday. First was to speak Fomin, the Secretary General.
“Comrades, friends! This is a sorrowful day for all of us, because we pay tribute to our young colleague, ardent Communist, the faithful Leninist Sergey Yesenin.”
“Oh, my God,” I thought, “Why drag in the last name of the great poet, that’s over the top! He is out-of-time twin, a poet, a namesake, he got the same portrait at his head, but why Yesenin?” Of course, I did not know then that his last name by his Indian passport was also Yesenin.
“He gave his life for our common righteous cause!” roared Fomin. “He fought to the last moments of his life. His words and verse in the leaflets and media publicity materials will long live, they will guide whole our nation to the Leninist goals. Duma elections are coming, and no doubt we will win. But Sergey will not rejoice with all of us, we shall never see again his disarming smile, nor hear his delicate voice. But you, Sergey, did not in vain live your short life, not in vain you came to us from far away India. You’ve struggled honestly and courageously.”
That was a recurring and lengthy speech, and I observed the people around the coffin. The sorrowful faces of men and women were now brighter, and chins were up, eyes glistening. Drizhinniki, party militia with red bands on the sleeves, drew closer from their post at the doors, their faces shining blissfully.
I noticed also four new mourners who just entered the doors and were standing behind. These were altogether different: in expensive black suits, with grim and bored faces, one of them with his hands in the pockets. It was easy to guess: professionals, sponsor-bank’s Security. One of them was huge and powerful like a hog, another two tall muscular athletes, and the fourth was strangely both sinewy and thin, with a dead face as if cut of stone.
Suddenly mourning silence that was strained by General Secretary's firm echoing voice was pierced by shrill hysterical cries. I heard some strange sounds some minutes before, but I thought they come from adjoining ritual hall: nervous breakdowns and hysterics were commonplace here. The sounds seemed muffled at first, but then they rang out closer, and I could make out two arguing shrill female voices. Suddenly the door of our ritual hall banged open, and I saw in the doorway two women that were nearly fighting. One of them was breaking her way forward to the hall, and another one was pulling her backwards trying to stop her. Finally the first one freed herself, and with shrill “A-ah!” pushing everybody aside ran to the coffin. Dark shawl slipped from her head, but being caught by the collar flapped on her back like a black bird.
I was standing near the coffin, at the feet of the deceased, in the aisle, and she ran nearby. I closely saw the curled and luminous hair of this young blond. She ran around the coffin, scattering the flowers with her feet and fell, prostrated, on the chest of the dead man, covering his face with the kisses. In a moment her shoulders began to shudder with silent sobs. Secretary General Fomin broke off his speech in a mid-sentence and anxiously stepped aside.
I looked back. The second woman stayed at the open doorway, with a horror on her face, but all the four of the sponsor’s Security moved forward, closer to the coffin; no more boredom was seen on their faces, but acute alarm. Suddenly the blond girl rose to her full height and turned to the hall. I was standing some three yards away from her, and when I saw her face, her hair and bright red lips, I thought I was losing my mind, or already lost it. “Jesus Christ!” I thought feeling cold shivers on my spine, “She is a dead spit of Marilyn Monroe!"
Maybe something strange was happening then to my mind, but undoubtedly that was Marilyn Monroe who was standing at the coffin with gleaming eyes. Yes, that great American actress, a singer, the eternal icon of western pop culture, genuine and everlasting sex-symbol of America. When she was still alive, some fifty or sixty years ago, any man – as it was in the papers – without doubt would give his right hand for just one night with Marilyn. That was excess, but popular one and very close to the point. She was delightful, charming and most beautiful woman in the world, who, alas, committed suicide half a century ago, taking as a nightcap an over-dose of barbiturates. I saw this fascinating woman in a dozen of old movies, I viewed her risky sexy photos, and I did vividly remember her velvety voice, when she sang “Happy birthday to you” for President Kennedy, who without doubt loved her. I adored this woman. I loved Marilyn Monroe from my adolescence.
Shocked and fascinated, I looked with awe at these three faces, jumping from one to another: pale one in the coffin, black and white oversized face of the great poet on the portrait, and indescribably lovely one, sweetest in the world – and beyond all the questions very alive – the face of Marilyn Monroe. I felt there was some incomprehensible, inaccessible to my mind link among three of these – mysterious, monstrous. Nothing of it coincided neither in time nor in logics, or in common sense. The dead man in a coffin, whom Marilyn Monroe was kissing now, and whose portrait was put beside as quite appropriate, should have been in a grave for ninety years. This blond actress Marilyn Monroe was born two years after his real death, and by no means could sob here, but abide half a century at the heavens. The natural chances of such freakish doubling and a crazy performance were zero.
“He didn't die! He couldn't die!” suddenly yelled the blonde girl in Russian, though with a distinct British accent. “You killed him, you – the Communists! God damn you, killers! He couldn’t commit suicide, he loved life! Oh, Sergey …”
But they didn’t let her yell any more. One of those four in expensive suits, who reminded me of a hog, leaped over to her, grabbed her arm, and rudely dragged her away from the coffin. But this girl happened to be surprisingly lively and fast, she managed to slip out of his grip, then seized from under her feet a bunch of flowers, and then went on lashing with it his fat red face. That bouquet was of roses with the thorns, and the “Hog”, clutching his face and protecting the eyes, backed away from her. This moment the fourth of the sponsor’s Security, sinewy one, with a stony and somewhat sickly face, jumped to them, grabbed the girl’s hand and twisted it so hard that she briefly screamed, then he pushed her back, and rudely dragged her down the aisle to the doors, with mourners hastily stepping aside ahead of them.
The girl did not really walk: her legs were trailing behind, she was carried away. Sinewy one dragged her from the side that was closer to me, and the “Hog” dragged from another. I could not stand it, not because she was a pretty blonde, but because when I see anybody weak being offended or hurt, I take it as a personal offense. That's all. When the girl’s shoes scraped the floor just in front of me, I seized the sick-faced man’s hand.
“Hey, easy with the lady!” I shouted, and heard my voice echo in the silent hall.
That man didn’t even look at me; he just hit my arm with his fist, on the biceps. His blow was so quick and painful that I let the girl’s arm go, and both of those proceeded to drag the blond girl to the doors. Something flashed in my mind, and everything around me turned crisp and clear. I grabbed the shirt’s collar of that man from behind, jerked it back, and in the frozen silence of the hall rang the ripping sound of his shirt. The man let the girl’s hand go, though also losing his balance and falling back. I jerked his collar down, and sinewy man fell, with a swing, to the base of the coffin stand, with back of his head into the heap of the flowers.
