But so far, everything appeared quiet.

Painter glanced up at the clock tower. It was a few minutes before midnight. Time for this spy to come in out of the cold.

Standing up, he headed across the street, as prepared as he could be.

Monk had already checked in, and earlier in the evening Painter had had a short but intense conversation via satellite phone with Gray. He had learned that the Viatus Corporation had funded the dig in England. They had been bioprospecting for new organisms to exploit for their genetic research. Had they found something? Gray had described the gruesome discovery, at a Neolithic stone ring, of bodies buried and preserved in a bog, bodies riddled with some sort of fungus.

Was that significant?

Painter recalled that the murdered Princeton geneticist had believed the new genes inserted into the Viatus corn samples were not of bacterial origin. Could they have been fungal, genes extracted from those mushrooms? And if so, why all the secrecy and bloodshed to hide the fact?

Painter shoved the questions aside for now. He needed to focus on the immediate task at hand. He entered the lobby and circumspectly observed his surroundings. He compared the faces of the hotel employees with those in his earlier canvass and made sure there were no strangers among them.

Satisfied, he strode over to the hotel bar. The Limelight was dark and richly paneled, illuminated only by the glow of wall lanterns. Red leather club chairs and sofas divided the space. It smelled vaguely of cigars.

At this hour the establishment was sparsely populated. It wasn't hard to spot Senator Gorman over by the bar. Especially with the burly man sitting next to him, wearing a suit too small for his bulk. He might as well have bodyguard stenciled across his forehead. The guard sat with his back to the bar and, with no subtlety, scanned the patrons for any threats.

Painter observed them from the corner of his eye. He passed among the chairs and took a seat at a booth near the entrance. A barmaid took his order.

Now to see who, if anyone, showed up.

He didn't have long to wait.

A man appeared, wearing a heavy ankle-length overcoat. He searched the bar, then his gaze fixed on the senator. Painter was startled to realize he'd seen this man before, back when the luncheon had broken up. He'd been complaining to the Club of Rome's copresident.

Painter struggled to remember his name.

Something like Anthony.

He played back the conversation in his head.

No...Antonio.

A satisfied smile flickered over the man's features as he spotted the senator. This had to be their guy. From the earlier conversation, the man clearly had no love for Karlsen. Antonio's smile faded as he finally noted the bodyguard, too. The instructions had been for the senator to come alone. Antonio hesitated near the entrance.

Time to move.

Painter slid smoothly out of his seat and crossed in front of Antonio. He grabbed the man's elbow in one hand and poked his Beretta in the man's ribs. He kept a smile on his face.

"Let's talk," Painter said and guided him away from the bar.

It was his intention to interrogate the man in private. The less Senator Gorman was involved in all this, the better for all.

Antonio allowed himself to be led away at gunpoint, his face a mask of terror.

"I work for the U.S. government," Painter said pointedly. "We're going to have a short conversation before you meet with the senator."

The terror faded from his eyes, but not completely. Painter guided him toward a settee in an empty area of the lobby. It was partially shielded by a low wall and a potted fern.

They never made it.

Antonio suddenly tripped and fell to one knee. He gurgled and gagged. His hands fluttered to his neck. Protruding from his throat was the pointed barb of an arrow bolt. Blood splattered the marble tile floor as Antonio dropped to his hands and knees.

Painter noted a small blinking light at the back of the man's neck, nestled in the plastic feathers of the bolt. Painter's body reacted before the thought even formed.

Bomb.

He leaped forward and dove over the low wall. He'd landed behind it when the charge exploded. It was as loud as a thunderclap in a cave. Pain squeezed his head. He went momentarily deaf-then sound returned.

Screams, shouts, cries.

It all sounded hollow.

He rolled back up, keeping sheltered behind the nearby wall. Smoke choked the lobby, lit by puddles of fire. The explosion had blackened a large section of the floor. Antonio's body had been obliterated into bits of flaming ruin. The superheated air burned with a chemical sting.

Thermite and white phosphorus.

Painter coughed and searched the lobby. From Antonio's position, the arrow had to have come from inside the hotel, off to the left. From that direction, two masked figures ran through the smoke from the staircase. Another slammed through the front door.

They pounded toward the Limelight Bar.

They were going after the senator.

12:04 A.M.

Monk stood at the open door. Beyond the threshold stretched a long hall. Lights turned on, one after the other, illuminating the way ahead.

"We'll take a fast look," Monk whispered. "Then get the hell out of here."

Creed waited for Monk to take the lead, then followed. The kid barely breathed, and he definitely didn't blink.

Halfway down the passage, double doors opened to the right and left. Monk headed toward them. The place smelled of disinfectant, like a hospital. The smooth linoleum floor and featureless walls added to the sense of sterility.

He also noted that there were no cameras in this hall. Apparently the company placed its full trust in the extra layer of electronic security down here.

Monk reached the doors. They were palm-locked like the other. Monk pressed his hand against it. Surely there were no areas off-limits to Karlsen.

He was right.

The lock snick ed open.

Monk headed through and found himself in an enclosed entryway facing another set of doors. The antechamber was glass. Beyond the doors opened a huge room. Lights flickered on, but they were muted a soft amber.

He tried the next set of doors. Unlocked. The doors were clearly not intended to keep anyone out, so much as to keep the room's occupants in.

As Monk pushed into the next room, he gaped at the walls to either side. Extending the length of the long room were floor-to-ceiling windows. A low tonal buzzing filled the room, like a radio tuned between stations.

Creed followed at his heels. "Are those-?"

Monk nodded. "Beehives."

Behind the glass, a solid mass of bees writhed and churned in a hypnotic pattern, wings flickering, bodies dancing. Racks and tiers of honeycombs rose in stacks to the roof. The hives were divided into sections along the length of the room. Each apiary was marked with a cryptic code. Studying them, Monk noted that each number was prefixed with the same three letters: IMD.

He didn't understand the significance, but plainly the bees were used in some sort of research.

Or maybe Ivar just had a real hard-on for fresh honey.

Monk moved with Creed to the closest bank. The buzzing grew louder, the agitation more frenzied. The lights, though muted, must have stirred them.

"I think they're Africanized bees," Creed said. "Look at how aggressive they are."

"I don't care where they came from. What is Viatus doing with them?"

And why all this security?

Creed reached toward a small drawer in the hive window.

"Careful," Monk warned.

Creed pinched his brows and pulled open the drawer. "Don't worry. I've worked with bees before at my family's farm back in Ohio."