Kezzie, a museum curator and photographer mourning the recent death of her husband, comes to myth-steeped Tuluva, now South Kanara, India to photograph spirit dancers (bhutas). Drawn by these souls, who died precipitously leaving them with a strong sense of a life yet to live, Kezzie is at first unsure what to expect. Thrown into an intriguing nest of locals and international travellers, living in a bungalow carressed by the rhythms of the sea, Kezzie moves between the mundane and the spiritual, between the demands both social and sexual of her fellow Europeans, and between the harsh realities of India and its more pressing spiritual demands. Interwoven with stories of spirit lives and travellers’ tales, Kezzie’s journey, perfumed by night-blooming jasmine and vivid with colour and movement, leads her to a sense of mastery over her grief as she slowly comes to appreciate how to look at air’.