By giving Clodia the Lesbia of Catulluss famous love poetry her own first-person narration, Anna Jackson upends and reinvigorates the beloved classical sequence with biting wit and tender attention. The photographer in the second sequence reads, writes, gives presents and considers the art of portraiture. But who is examining, and who is being examined? Above all else, Anna Jackson takes us within and without a range of characters in her characteristically witty style.