Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: I feel that a picture that stays with you is made up of a hundred or more hidden things. Theyre things that the audience is not conscious of, but that accumulate. What are those hidden things? Can we invent a method that will enable us to discover them? Robert Ray attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American studio system reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued film studies, Ray works with the movies details-Grand Hotels room assignments or Meet Me in St. Louiss ketchup-which are treated as mysterious but promising clues. By producing at least one entry for every letter of the alphabet, Ray demonstrates that a movies details have much to tell us. The ABCs of Classic Hollywood is a movie primer, a deceptively simple book that spells out a fascinating account of the most powerful storytelling system ever designed.